{"id":152151897,"date":"2024-11-27T13:31:27","date_gmt":"2024-11-27T13:31:27","guid":{"rendered":"https:\/\/www.lazyandentitled.org\/?p=152151897"},"modified":"2024-11-27T13:31:27","modified_gmt":"2024-11-27T13:31:27","slug":"some-things-i-like-and-dont-like-about-jazz","status":"publish","type":"post","link":"https:\/\/www.lazyandentitled.org\/?p=152151897","title":{"rendered":"Some Things I Like and Don&#039;t Like About Jazz"},"content":{"rendered":"<h2 class=\"wp-block-heading\">&#8220;basketball is like jazz&#8221; &#8211; ancient That Guy proverb<\/h2><p class=\"wp-block-paragraph\">Talk about a headline you\u2019re tripping over yourself to click on, huh? <\/p><p class=\"wp-block-paragraph\">There\u2019s something longer planned, but it required a bit more time and deep dive energy than I had before we packed up and left town. <\/p><p class=\"wp-block-paragraph\">Most of the best food\u2014cheeseburgers, tacos\u2014comes from short-order, so we\u2019re gonna make the most of a list gimmick. <\/p><p class=\"wp-block-paragraph\">No one\u2019s gonna tally up the hours, but I feel like I spent equal time learning jazz and punk in high school. I\u2019d get to school an hour early for jazz band, I played guitar in the marching band pit (our shows when I was in high school were Kool &amp; The Gang, Tower of Power, Chicago, and Earth Wind &amp; Fire), and I ended every day in the bandroom, bullshitting with my friends about ii-V-Is (okay that last clause is a lie, but not by much). <\/p><p class=\"wp-block-paragraph\">Then one day, just before senior year, we had a band practice. Bass player\/singer in our band and current Pinch Hitter bandleader, Spencer Blake, had written a new song. The first chord was an E major 7\u2014a <em>jazz chord<\/em>\u2014but he was playing it with distortion. The second chord was a C major 7\u2014a decidedly non-diatonic chord, played with too much intention to be a punk rock mistake. My life changed that day. Here\u2019s Pinch Hitter, check them out: <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pinch Hitter - The Age of the Roach Official Music Video\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/dWa1E6LdUiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\">Jazz does not have to mean big band, jazz does not have to mean guys in suits, jazz does not have to mean \u201conly that one drumbeat, with the ride,\u201d jazz does not have to mean walking bass, jazz does not have to mean no distortion. <\/p><p class=\"wp-block-paragraph\">Like punk and blues and hip-hop, jazz is more of a set of values you bring to playing an instrument or writing a song. <\/p><p class=\"wp-block-paragraph\">I\u2019m calling these two albums Lazy &amp; Entitled has coming out soon \u201cjazzpunk\u201d because they\u2019re not really either of those things. So, as a way to maybe de-mystify my songwriting thought process, here are some things I like and don\u2019t like. <\/p><p class=\"wp-block-paragraph\"><strong>LIKE: ORCHESTRATION<\/strong><\/p><p class=\"wp-block-paragraph\">What I mean is, you need to go listen to Charlie Mingus\u2019s <em>Black Saint and the Sinner Lady<\/em>. Or <em>Mingus Ah Um<\/em>.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Charles Mingus - Goodbye Pork Pie Hat - Live At Montreux (1975)  [9-12]\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/xPWvA1EiezI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\">Charlie Mingus knew how write some parts. He also knew when to tell his horn players to let rip. He cared about orchestration and had a specific vision for what the song was, while giving melodic freedom to his bandmates\u2014man really sit with that one a while. Be grateful for your bandmates. <\/p><p class=\"wp-block-paragraph\"><strong>DON\u2019T LIKE: SOLOS  <\/strong><\/p><p class=\"wp-block-paragraph\">There\u2019s this idea in jazz, especially modal jazz, that the solo is the songwriting. The band plays the \u201chead,\u201d or \u201cintro\u201d or \u201cmain riff,\u201d then everyone gets a turn soloing. Miles Davis\u2019s \u201cSo What\u201d is probably the most famous example. A really fun example is Skatune Network\u2019s cover of the <em>Animal Crossing<\/em> theme. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Animal Crossing New Horizons Theme (SKA-Jazz Cover)\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/n56gSwQVpV4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\">While I love those two songs, I reject this idea. Mostly bc it\u2019s boring. Too many solos and everything starts to sound the same after a while. Solos have their place, for sure\u2014I can think of more than a few that are life-changing. They just can\u2019t be the backbone. <\/p><p class=\"wp-block-paragraph\"><strong>LIKE: EVERYTHING HAPPENING UNDER THE SOLO<\/strong><\/p><p class=\"wp-block-paragraph\">Maybe a biased opinion coming from a guitarist\/bassist. Genuinely, though: the weird piano comps, the changes in basslines, the drummer locking into a rhythm with the soloist like two expert pick-and-roll players connecting for a lob? Rhythm sections are the best. They make or break absolutely everything. Pick your favorite jazz record and just listen to the rhythm section. Ryo Fukui\u2019s got a great one on \u201cEarly Summer:\u201d<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ryo Fukui - Early Summer\" width=\"790\" height=\"593\" src=\"https:\/\/www.youtube.com\/embed\/tWJQQiZYcUA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\"><strong>DON\u2019T LIKE: BIG BAND<\/strong><\/p><p class=\"wp-block-paragraph\">Glenn Miller just doesn\u2019t do it for me. Nor even Count Basie. I\u2019m sorry. Not only does the rhythm section get swallowed up, but the <em>amount<\/em> of horns demands classical-music levels of precision. While precision is worthwhile, too much of it takes all the fun out. That said, I love the 8-Bit Big Band and think big band is perfect for video game music. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Song of Storms - Big Band Jazz version ft. Patrick Bartley (The 8-Bit Big Band)\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/90OklZLKBNc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\"><strong>LIKE: UNLIMITED CREATIVE FREEDOM<\/strong><\/p><p class=\"wp-block-paragraph\">I\u2019m going to repeat three rumors that I have no idea if they\u2019re true but I chose to believe them so hard I will reject any correction: <\/p><ol class=\"wp-block-list\"><li><p>Miles Davis (and John Coltrane after him) would write songs by writing a chord progression on a white board and making his bandmates solo over it. They usually had like three days to make a record. <\/p><\/li><li><p>Miles (or was it Charles Mingus?) would make his band record their parts with no backing tracks. Nothing but a click. You had freedom to play how you wanted, according to the score. But then everything had to line up. So if you hear horns slightly \u201coff\u201d from each other, someone playing a touch more staccato than someone else or whatever, that\u2019s intentional. <\/p><\/li><li><p>The opening minutes of <em>A Tribute To Jack Johnson <\/em>is the band jamming to get levels. Miles showed up late, demanded they keep it in, and jumped right for his parts. <\/p><\/li><\/ol><p class=\"wp-block-paragraph\">These sorts of magic moments happen <em>all the time<\/em> in band practice. You improv a whole song and it sounds <em>so sick, dude we shoulda been recording, I messed up a couple times and you went a different place for a second but that ruled, man, that was so good, we shoulda been recording<\/em>. <\/p><p class=\"wp-block-paragraph\">Jazz codifies that feeling as a matter of practice, and I think that\u2019s cool. <\/p><p class=\"wp-block-paragraph\"><strong>DON\u2019T LIKE: EVERY SONG BEING LONGER THAN FOUR MINUTES<\/strong><\/p><p class=\"wp-block-paragraph\">This was a blessing from DOMi &amp; JD BECK. Or if you consider Chon jazz, and I consider them at least fusion. Songs written like pop songs, but they\u2019re unmistakably jazz. I like that, as a thing for the genre. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nord Live Sessions: DOMi &amp; JD Beck - BC Invaders\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/skEUnT98cWk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\"><strong>LIKE: THE CULTURE OF LOVING WEIRD OSCURE RECORDS<\/strong><\/p><p class=\"wp-block-paragraph\">Some gatekeeping comes with this\u2014<em>oh, you don\u2019t know the 18-minute solo Bill Evans played on \u201cLove For Sale\u201d in some basement in Paris in 1963 that the guy at Blue Note\u2019s son had on cassette in his desk until 2003? Do you know ANYTHING?<\/em>\u2014but I love when an old jazz head is casually like \u201clook for the live version of <em>[insert Herbie Hancock track]<\/em>. Type <em>[very specific YouTube search term]<\/em> in. Trust me, dude.\u201d It usually works out. My personal one is sorta cheating because it\u2019s a backing band, but it\u2019s \u201ckendrick lamar untitled 2 jimmy fallon.\u201d Listen under Kendrick\u2019s vocals, to only the band, it\u2019s ascension. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kendrick Lamar - Untitled 8\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/cziv-WGRLcE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\"><strong>DON\u2019T LIKE: JAZZ BECOMING CURRENCY OF THE RICH<\/strong><\/p><p class=\"wp-block-paragraph\">All those dudes making those weird, obscure records? They weren\u2019t exactly selling out Carnegie Hall and dying rich. Jazz should have an underground spirit. It\u2019s fundamentally music that goes against the conventional wisdom of standard music theory, it\u2019s music that represents the fringe. Should we just go out on some New Jazz Underground for the sake of the word underground? <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"cook\/swing\/work\/relax\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/vo6glp9AkJA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p class=\"wp-block-paragraph\">Sorry you got an email, <\/p><p class=\"wp-block-paragraph\">Chris<\/p><div class=\"subscription-widget-wrap-editor\" data-attrs=\"{&quot;url&quot;:&quot;https:\/\/shipwreckedsailor.substack.com\/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}\" data-component-name=\"SubscribeWidgetToDOM\"><div class=\"subscription-widget show-subscribe\"><div class=\"preamble\"><p class=\"cta-caption\">Thanks for reading shipwrecked sailor! Subscribe for free to receive new posts and support my work.<\/p><\/div><form class=\"subscription-widget-subscribe\"><input type=\"email\" class=\"email-input\" name=\"email\" placeholder=\"Type your email\u2026\" tabindex=\"-1\"\/><input type=\"submit\" class=\"button primary\" value=\"Subscribe\"\/><div class=\"fake-input-wrapper\"><div class=\"fake-input\"\/><div class=\"fake-button\"\/><\/div><\/form><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;basketball is like jazz&#8221; &#8211; ancient That Guy proverb<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-152151897","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=\/wp\/v2\/posts\/152151897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=152151897"}],"version-history":[{"count":0,"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=\/wp\/v2\/posts\/152151897\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=152151897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=152151897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lazyandentitled.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=152151897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}