Friday Links: City Invaded Edition

“If I can’t return to water, / then lay me on a bed of rice.” – Jasminne Mendez, “Scene 4”

Nothing to promote up top—no Behind With Knife, no podcasts, no new music, no reading series. Do I even know how to write intro paragraphs anymore? Is this what the Christians call Ordinary Time?

Of course not. It’s NOIRVEMBER!

What I’ve Been Reading This Week:

Once again, two books that paired surprisingly well. I picked them because they both had the word “city” in the title, and then they both behaved differently than what I expected. Pleasantly, I might add. There’s a lot going on in both books, and although I enjoyed both very much, I kinda want to re-read with the foreknowledge of everything that happens. Not saying that everything didn’t come together, more that I think a re-read would help me see how *Maynard James Keenan voice* the pieces fit. Luckily, these are both extremely re-readable books. Not because they breeze by! They’re both pretty dense, actually. But delightful and intriguing and inviting further exploration. Let’s get into City Of Smoke And Sea by Malia Márquez and City Without Altar by Jasminne Mendez.

City of Smoke and Sea by Malia Márquez and City Without Altar by Jasminne Mendez
City of Smoke and Sea by Malia Márquez and City Without Altar by Jasminne Mendez

City Of Smoke And Sea by Malia Márquez: perhaps the most perfect book to transition from horror month to Noirvember? Our first-person narrator, Queenie Rivers, is your typical noir protagonist—a semi-clear-eyed fuckup who is disappointed in her life as recovering drug addict who works in seedy industries, but she has a heart of gold. Her egocentric cokehead of an ex is an aspiring TV writer, and she wants to write, too. Her mother has been missing since she was a toddler. Her grandmother’s death kicks off some research into her family’s past. Queenie learns the extent of her Roma grandmother’s experience with Nazi concentration camps (not uncommon) and that her grandmother and all her friends are centuries-old magical beings (less common). There is a schism, a feud between two of the more powerful magical beings, and Queenie, by investigating her grandmother’s death, is pulled directly into the middle of that feud. It’s like The Big Sleep or Under The Silver Lake crossed with Twilight or The Old Guard. No vampires or werewolves, I should say. Ancient feuds amongst magical beings, though.

The novel has mythical elements, and I want to quote Malia’s acknowledgements real quick: “As a person of (complex) Indigenous descent (New Mexico, Colorado, & Mexico), my goal is to offer the Native cultural & mythological elements in this novel as an acknowledgement & recenting of local land-stories, but also an act of borrowing & adapting from cultures not my own…In the spirit of myth making & fictional storytelling traditions that hopefully contain kernels of truth, honoring Native & transplanted peoples who call Los Angeles/Tovaangar home, past, present, emerging, thank you.” You know yr man the shipwrecked sailor loves some mythology grafted on to a contemporary narrative. I wonder if a little more knowledge on my part would’ve made things come together better for me. It’s unusual for me to say I wish a book was longer, but I genuinely wish I had more time with these fascinating characters. These are centuries-old magical beings who disguise themselves by running a fine dining restaurant on the beach! I wanna kick it with them, no matter how shady they are! More importantly, it feels like characters’ attitudes and motivations shift a little too quickly, the plot sometimes moves because it has to do so. I don’t like levying that criticism after one read, though—it’s completely possible that I was just stressed the fuck out this week (see below), and my brain wasn’t all the way working. So I will be returning to this. Especially since it is a genuinely good read, and Queenie Rivers rules so much.

City Without Altar by Jasminne Mendez: a lot going on with this book. Not in a bad way, but in a hard-to-know-where-to-start way. Jasminne is using poetry, prose, and playwriting to tell a story of inherited trauma. The first page is the author’s birth certificate with certain private information blacked out, but also highlighting that the author and her parents are officially Dominican, not Haitian. “This is legal…All items listed are accurate. And complete,” the prose reads, inviting us to wonder exactly how accurate and complete it is (I’m in Chicago during the ICE invasion, I already know legality is a slippery concept). From there, we get a tracing of how Dominican dictator Rafael Trujillo ordered mass slaughter of Haitians along the two countries’ border. We get voices from the past and present interacting. We get x-ray images and prose/poetic descriptions of the author’s Scleroderma (“Tiny ulcers form and fester on the tips of my fingers. Cuticles blister, burn and erupt, a volcano of pus and blood. The skin, the nail, the bone a slow decay of rotting cells that refuse to heal. There is nothing left to do but amputate.”), which is juxtaposed against being taught how to use a machete to cut a coconut, which comes right after descriptions of machetes being used to massacre Haitians. It’s a meditation on and dramatization of generational trauma and what happens when you cut things—all the ways you can cut many different kinds of things—and it is more than I can properly describe here. The poem is that which resists paraphrase. This book is very much that.

LINKS!

Something to listen to while you browse? Listen, I gotta confess: it’s a lot of emotions, going out on ICE patrols. As I write this particular paragraph on Tuesday, I still have not seen the fuckers since two weeks ago. Wednesday update: I went out for two hours, walked all over the north side, and then as soon as I got home? Whistles blaring through my windows. Signal chats coming in. ICE kidnapped someone three blocks from my house. Still, some small victories: we can’t know, but there is evidence that one of the patrols I was on prevented an abduction this week. There were also abductions on the north/northwest side and in the burbs that we couldn’t prevent. Every time I come home—like, both from ICE patrols and just walking my kid home safely from school—an extreme heaviness sets in. I sit on the stairs to take off my shoes, and sometimes I stay there without a thought in my head for like five minutes. I should not be complaining. Reporter for The Triibe Dave Byrnes was in court this week hearing testimony about what’s going on in the Broadview concentration camp and it is horrifying. I should not be complaining. Still, emotions are emotions. I’ve been listening to a lot of Meat Wave. Apologies if I’ve posted Meat Wave here recently, I simply don’t have the energy to check. Besides, don’t you want to listen to Meat Wave? Here’s my favorite song of theirs, “Disney.” Live in Chicago.

What’re you still doing here? Are you wondering if I’m going to link to articles about how everyday Chicagoans are stepping up to keep people fed as SNAP benefits go away? Are you wondering if I’m going to link to the fight over a budget for Illinois transit? Look, I am not a reporter (I mean, I can be, but not on this website). It is important to me to keep the focus on ICE and Midway Blitz right now. Go to those websites above and look for those stories. Also, don’t you know that Micah and Brendan have a show?

If you work in the service industry, may you clean up in tips this weekend. Hey, you probably don’t need to be told this, but. Like. If your boss, the head bartender, the head host, and the head chef ask you to get on a boat? Don’t, if you can help it.

Sorry you got an email,

Chris

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